Damien Hirst’s Cherry Blossoms bring pink to Fondation Cartier

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Fondation Cartier was designed by Jean Nouvel,© Damien Hirst and Science Ltd. All rights reserved, DACS 2021

Damien Hirst has accustomed his public to surprises over the years ever since Charles Saatchi discovered his work at Freeze which he organized in a disused Port of London warehouse with sixteen of his classmates from Goldsmiths College of Art in 1988. He was 23 and had lived in Leeds until then. The exhibition “Cherry Blossoms” at Fondation Cartier takes after some of Van Gogh’s paintings which he discovered in 1984 during a tour of European museums, but also reminded me of David Hockney’s “My Normandy”. This show of 33 paintings (from a series of.  107) is very luminous, far from his glass vitrines with sharks or filled with “shipwrecks”. The works remain abstract and the thick oil painting gives it a specific depth.

Damien Hirst downstairs at Fondation Cartier, photo Calvin COURJON

“I wanted them to be big so you could kind of fall into them” says Damien Hirst, “I just want it to be in our face. I want you to feel like you’re too close to it, you know.” He was influenced by both Jackson Pollock and Francis Bacon and used some of their energy. “It’s a throw, it’s not a pour” he says about his painting style. Lockdown’s been really good for me work-wise, just because I managed to keep painting and I managed to get lost in it.”

“Greater Love Has No-One Than this Blossom”

Damien Hirst first showed in Paris at Emmanuel Perrotin in 1991. But this is his first institutional show in a museum and most of these canvases will soon be dispersed and go back to their collectors. So it’s very lucky to be able to see them together.”The Cherry Blossoms are about desire… but also about the insane visual transience of beauty – a tree in full crazy blossom against a clear sky” says the artist.

Detail of a canvas. The thick oil paint is not always dry yet.

In his text published in the catalog, Philippe Costamagna, director of the Palais Fesch in Ajaccio, describes the poetry of the artist’s studio in winter light. After quoting Leonardo da Vinci on art and poetry, he quotes Hirst talking about literature and art on the same level. Poetry in painting starts with the imitation of nature. And he mentions the poetic gesture of painting cherry blossoms which last so little time. “It is the most poetic illustration of the passing of time “. Hokusai, Hiroshige, Van Gogh and now Damien Hirst were all attracted to these trees. In the room downstairs I stood for a while surrounded by the fourteen pink paintings and it reminded me of Monet’s water lilies oval room at the Orangerie. There is  true romanticism coming out of this repetitious floral theme.

This picture of Hirst’s studio in the catalog is very colorful itself

Make sure to book ahead and get proof of your vaccine and an ID, otherwise you will not be let in the Fondation Cartier which is very cool at the moment with its pretty garden (Until January 2, 2022). A 4 mn film on the website  gives a further idea of the artist’s work over the last three years in his airport like studio.

Damien Hirst in his studio, 2020 © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photographed by Prudence Cuming Associates.

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3 Comments on “Damien Hirst’s Cherry Blossoms bring pink to Fondation Cartier”

  1. Bien que moins connue du grand public je suis particulièrement touchée par les fleurs de Claire Basler qui organise une fois par an une journée portes ouvertes en septembre dans sa demeure le Château de Beauvoir à Échassières (Allier)
    A voir absolument

  2. “Falling into” one or many giant canvases of cherry blossoms sounds like a really joyful way to lose yourself. Thanks Laure.

  3. Quelle chance nous avons de pouvoir aller nous lover dans ces champs de cerisiers en fleurs ! Nous allons y courir !

    Merci, Damien Hirst !

    Merci, Laure !

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