It took me a little time to get to the exhibition “Baudelaire, la modernité mélancolique” (Melancholic modernity) celebrating the bicentenary of the poet’s birth, which opened in November at Bibliothèque nationale de France, because I feared it would be too intellectual and stiff. Well the way the symbolist poet’s writings, sources and portraits (200 pieces) are laid out is so pretty, that you wander through the show with great pleasure. It is particularly interesting to see how he was inspired (or illustrated) by prints produced by his friends and contemporaries such as Eugène Delacroix, Pieter Claesz Soutman, Odilon Redon, Gustave Moreau… A great map of Paris shows the 38 different addresses where he lived during his very short life (1821-1867), sometimes moving apartments every three months. His self portraits are vivid and many photographs by Etienne Carjat (1828-1906) show his “spleen” at the end of the exhibition (until January 27).Read More
I look forward to in 2022…
January is always an exciting month with New Year’s resolutions and all the projected goodies of the Spring and the Summer. Here are a few cultural ideas for the next months. Two exhibitions of turn of the century Finnish painters in March should please the charming Finnish ambassador in Paris, Teemu Tanner: Akseli Gallen-Kalella (1865-1931), at Musée Jacquemart André and Albert Edelfelt at Petit Palais, a show around painter Rosa Bonheur, 1822-1899, in May in Bordeaux and later in September at Musée d’Orsay. Quite a number of contemporary artists in traditional museums, like Markus Lüpertz in Orléans, Ange Leccia on March 2 at l’Orangerie, and a Monet-Rothko encounter at Musée des Impressionnismes in Giverny. A large celebration of Yves Saint Laurent who celebrates his 60 th anniversary, at Musée d’Orsay, Centre Pompidou and Musées Picasso. This month, the opera of “Hamlet” by Ambroise Thomas is back at Opéra Comique conducted by Louis Langrée who is also the new director. And the Haitian pictures of African American photographer Ozier Muhammad at Galerie Sophie Sheidecker. Read More
“Chou farci”, stuffed cabbage, by Timothée
While listening to Professor Philippe Godoy‘s conference on the Eglise de la Madeleine at the turn of the century, I ran into a group of young students who live nearby and one of them, Timothée, who attends ESCP, a high level business school in Paris, also apprentices as a chef. He learned to cook with his mother, Marie, who with her husband Vincent, runs a bed and breakfast in La Boudio in Cantal, and volunteered to prepare a chou farci (stuffed cabbage) for his friends in my kitchen. I watched him do it and it takes a little time (3 hours), needs dexterity with your hands, but is a cheap and very filling meal for our winter months. And it was delicious. Read More
A fireworks of Marquet at Galerie de la Présidence
Galerie de la Présidence survives in front of the Elysée Palace and surrounded by police and security fences, and it is even celebrating its 50 th anniversary. When you have the good idea of ringing the bell, Florence Chibret-Plaussu opens with a smile. She and her mother, Françoise, have been collecting paintings by Albert Marquet (1875-1947) for years and some of them could already be seen at Musée d’Art moderne in the large retrospective of the artist, five years ago. In their three floor gallery, it is a festival of greys and bright colors, and my devotion for this painter was entirely fulfilled by the variety of 26 paintings exhibited, from Paris to Algiers and Marseille. The show is on until January 29 and you will be surprised!Read More
Happy New Year 2022 and may art, good food and fun keep you in good health!
I was not one of them but it was a pretty optimistic way of starting 2022. I wish you all a creative, productive and healthy year and as an incentive for health here is the most beautiful cake made by Christophe Roussel.Read More
Anselm Kiefer at Grand Palais until January 11, do not miss it!
When I met him at Daniel Templon’s decoration, Jean Michel Wilmotte, the architect of Grand Palais Ephémère, advised me to go and visit the Anselm Kiefer “For Paul Celan” show, around 4 pm to get the best light of the day. Unfortunately it was raining when I went last Monday but I understood why the light was so important in the exhibition which takes over the 10 000 square meters of the temporary building on the Champ de Mars. This is probably the safest art gallery in Paris at the moment, and there are no lines! Fifteen years after his installation for Documenta at Grand Palais in 2007, Anselm Kiefer has become the most celebrated German artist in Paris. He created a specific work for the Panthéon a year ago and was chosen by President Macron as one of the works to open the French Presidence of the European Union this January 1, thus celebrating the Franco German relation. The artists works in France, in Croissy. Read More
At Musée Guimet, Duy Anh Nhan Duc and Tajikistan glitter…
There are always surprises at Musée Guimet, and this time it was Duy Anh Nhan Duc, a Vietnamese botanical artist who is showing on the top floor a series of sculptures and installations made with dandelion seeds. He takes us on a three part journey with a triptych which leads us to dream and poetry. Born in 1983 in Ho Chi Minh City, he now lives in Paris and works with nature, endlessly gathering plants such as dandelions, salsify, thistles, wheat and clover which he transforms into delicate art. He delivers a dialogue with plants and captures their fragility. In the lower galleries, the mysterious country of Tajikistan is revisited with its little known archeological sites and enchanting buddhas.Read More
Eva Jospin is striking in Giverny and fills up musée de la Chasse
Musée de la Chasse has been closed for renovations for two years, its fabulous director Claude d’Anthenaise has retired, and Eva Jospin’s exhibit throughout the museum and in the Galleria downstairs is the perfect momentum for its reopening. Children and parents are forming a huge crowd outside and inside the Hotel de Mongelas in the Marais, and I found it difficult to figure out the story behind the artist’s precious cardboard sculptures. There are no cartels and no explanations. But from having seen a few of her exhibitions at Galerie Tarasieve nearby, and more recently at Giverny’s Museum of Impressionisms (until January 16), I just let myself be carried around with the crowds and enjoyed her new works immensely. You have time to see the show in Paris until March 20 th. Read More