Sculptures from Congo come from Tervuren to Musée du quai Branly

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Pwo Mask, Tshokwe, collected y G. Le Paige, jesuit missionary before 1948, musée Royal de l’Afrique centrale Tervuren

The African Museum of Tervuren in Brussels has a remarkable collection of Congo art due to the long colonisation of the country by Belgium and we are lucky at the moment to have 160 works rarely shown before, exhibited at Musée du quai Branly Jacques Chirac and curated by Julien Volper. “La part de l’Ombre” (Out of the Shadows) includes statues, masks and everyday objects from Southwest Congo made between 1875 and 1950 in the land of twelve different people with 28 million inhabitants, where Kinshasa is located. Masks were used by sculptors to compete artistically and were worn only by men for dances and ceremonies. A section is devoted to the mukanda initiation rite of young boys entering adulthood.Read More

At Hotel de Caumont, Italian Renaissance painters are intimate.

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Guercino, Venus nursing Cupid, 1610-1620, is one of the 5000 drawings of Foundation Cini, © Fondazione Giorgio Cini

Hôtel de Caumont, in Aix en Provence, is a beautiful small XVIII th century hôtel particulier in the center of town, near place des Quatre Dauphins and cour Mirabeau and, since 2015, it houses exquisite exhibitions: “Treasures of Venice, the Cini collection” is on until March 27. It is always a joy to visit the town off season, when the crowds of the Opera festival are not invading the space. And I was mesmerized by the quality of the Vittorio Cini collection, lent this winter to celebrate the 70 years of the Cini Foundation in Venice and created by the Ferrara born entrepreneur, in memory of his son, Giorgio, who died in a plane crash. It is a rare collection of 4 000 Renaissance paintings, books, sculptures and drawings which you can see in Venice at the Palazzo in Dorsoduro and on the Island of San Giorgio Maggiore where the research center is based.Read More

“The Second Half” of life by photographer Ellen Warner

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Odette Walling, © Ellen Warner from The Second Half, Forty Women Reveal Life After Fifty, published by Brandeis University Press.

Ellen Warner is a photographer who one day started asking questions to her models: do you prefer your life before fifty or after? and she was surprised to find out that most women preferred the second half with more experience and more “letting go”. “In the second half you know who you are, and you are liberated by not caring what others think o you”. The women she interviewed are American, British, Italian, French, Birmese or Saudi.  They are rich and successful or from poorer backgrounds, all beautiful in their own way. As Erica Young says in her foreword to the book, “these women know of pain from labor, be it childbirth or long hours at work”…” We need to celebrate women not for wrinkles, but for laugh lines”….”Experience is as beautiful as youth”.Read More

MusVerre, the hidden treasure of the North

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Jan Fabre, “Holy Dung Beetle with Laurel Tree”, 2017, MusVerre, acquired in 2021

You might remember that two years ago, I was ecstatic  about a glass museum, MusVerre, located in Sars Poteries, near Maubeuge, a few miles from the Belgian border. It is hard (3hrs from Paris) to get to other than by car, but once you are there, the pleasure is immense. I returned last week for the opening of the new exhibition , “Cabinet de Curiosités”, and I discovered many International glass artists and a British star, Elliot Walker, the glassblower winner of the Netflix Blown Away series, who made a glass hat before our eyes in an hour and a half. He was literally dancing in the workshop where large ovens function all year round. For, as well as being one of the foremost glass museum in the world, MusVerre has a strong activity of artists in residence and internships. And in the hallway, Claire Deleurme shows a thousand glass sewing dens on a large wall which she has made during her seventy day residency. Her installation “Histoire de Famille”, which tells the secret language of daily objects, is spectacular. Read More

Louis Leopold Boilly laughs a lot at Musée Cognacq Jay

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“The greedy cat piercing the canvas to eat the herrings”, ca 1800-1805, Collection Farida et Henri Seydoux, Paris, © Guillaume Benoît

For her last exhibition at Musée Cognacq-Jay before moving on to Le Petit Palais, Annick Lemoine, offers us a sweet show with 130 works full of humor depicting the streets of Paris on the long period covering the French Revolution, Napoléon, and Louis Philippe. Louis-Leopold Boilly (1761-1845) was born in the north of France and moved to Paris at 24. He liked to watch people on the streets and depicted various sceneries full of life as well as more intimate ones like two girls kissing in a bedroom. He also invented the quick portrait which he did in two hours and sold for a modest sum to Parisians and visitors. They were all framed the same way and some of the five thousands he made, feature on a wall of the museum. He also made a number of self-portraits and introduced his face in many paintings. The curators were kind enough to signal every time he appears with a red frame on the cartels which are often at child’s height.Read More

Charles Ray is brought to Paris by Francois Pinault

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“Family Romance”, 1993 at Centre Pompidou with “Hinoki”, cypress wood (in the back), 2007

I first started with the Charles Ray show at Centre Pompidou which occupies a large part of the 6 th floor gallery and walked down to the Pinault Collection at Bourse du Commerce to see more of this Chicago born Californian artist who has suddenly taken over the Paris contemporary art scene. It is quite a lovely way to go through the gardens of Saint Eustache and the fifteen minute walk gives you the time to digest the first sculptures and wonder “Do I really like this artist”? At first I thought this would be another gimmicky event Jeff Koons style but when I started reading his thoughts, I understood a bit more of what he is all about. One thing seems sure,  collector Pinault is the impulse for this exhibition at Musée National d’Art Moderne. Are French museums becoming the puppets of private collectors?Read More

In London, great excitement makes up for train disruptions

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Beatrix Potter,  finished artwork for “The Tailor of Gloucester”, 1902, Tate Gallery

Spending the week end in London was utterly exciting after a three year gap and I was lucky to see both Beatrix Potter‘s show at the V&A and “The Collaboration“, a play featuring Andy Warhol and Jean Michel Basquiat at the Young Vic, the best of English acting! I also loved going to Dulwich to visit my goddaughter’s new house and took the opportunity to see (for the first time) the exceptional Art Gallery of European paintings, founded in 1811. There is not one mediocre painting there! But the train chaos provoked by Storm Eunice created too many frustrations as I was stuck in the middle of nowhere on my way to Gloucestershire. And I found most stores (even Peter Jones) totally empty, maybe due to school vacations? My only regret is not having seen “Belfast“, the new film by Kenneth Branagh with Judi Dench, but it will come to Paris on March 2.Read More

At Bleu Bao, trendy and youth is the motto

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The wall paper is inspired by a Ming painting from the V&A and blue is the defining color for the decor conceived by Tala Gharagozlou and Virginie de Graveron

I am very lucky to have nephews who feed me on trendy spots and when they give me a new address, I immediately obey. Lunch at Bleu Bao, the third restaurant opened in Paris by Celine Chung and Billy Pham, is pretty, fun, delicious for most dishes and definitely young. Their first successful spot, Gros Bao, is red and located on Canal Saint Martin. It serves Duck Beijing style. This one is blue, decorated with a Ming inspired wall paper from the collection of the V&A and serves bao (brioches) and dim sun as well as a delicious Aubergine Hong Shao dish. Read More