When Picabia steels from Ingres… by Jean Hubert Martin

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Jean-Auguste-Dominique Ingres, Eve, ca 1815, Montauban, Musée Ingres Bourdelle

It all happened when Jean-Hubert Martin, who lives part of the year near Montauban, discovered a book of photographs of Ingres’ drawings in the library of the museum. He realized that many of Francis Picabia‘s drawings and paintings were directly inspired by Ingres and that the iconoclast artist had obvioulsy seen the book by Jacques Edouard Gatteaux of 120 drawings and paintings published in 1873 and again in 1921. In 1976, Martin had initiated the exhibition on Picabia at Musée National d’art moderne and writes in the catalog that there have been many discoveries since. The show is cocurated with Florence Viguier-Dutheil the dynamic director of Musée Ingres-Bourdelle in Montauban.Read More

An excellent sole at Garnier and good Muscadet!

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The best sole of Paris at a reasonable price is at Garnier

I don’t know if you like sole, what the Brits call a Dover Sole, a real thick and large fish simply cooked in butter or grilled? For some reason their prices have become astronomical and most often you are being served filets or goujonnettes. What I like is to spend an extensive amount of time preparing it in my plate and looking forward to the first mouthful. So when a faithful friend of mine invited me have lunch at Garnier, across the street from Gare Saint Lazare, and mentioned the soles, I fantasized all week. And I was not disappointed, it is excellent at 47€.Read More

Schiaparelli is shockingly good at MAD!

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Marcel Vertès, Schiaparelli, 21 Place Vendôme, 1953, photo Schiaparelli Archives

Sophie Lemahieu is a lucky curator. For her recent arrival at MAD, she gets to open “The Surreal world of Elsa Schiaparelli” exhibition in the middle of  Couture week when the cream of the cream of fashion journalists and stylists are in town. And what a show! Those of you who saw Thierry Mugler’s retrospective last year will find some similar glitzy rooms in this one where Elsa (1890-1973) is confronted to the new house designer, the Texan  Daniel Roseberry. Olivier Gabet who is leaving to run the department of objets d’art at the Louvre was there of course to celebrate the Italian couturière, who was also Marisa Berenson’s grandmother. 520 works are exhibited which represent her world of creativity with Man Ray, Salvador Dali, Jean Cocteau… The scenography is signed Nathalie CrinièreRead More

In Montpellier, Louis Gauffier brings all the light of Tuscany…

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Portrait of Doctor Thomas Penrose, 1798, Minneapolis Institute of Art, The John R. Van Derlip Fund © Photo Minneapolis Institute of Art

I was not able to travel to Montpellier to see this exhibition yet, but since you might be in the area for the summer, I wanted to point it out to you because Louis Gauffier, who is fairly unknown to the general public because he died at 39, has brought all the sun of Italy to Provence. The Musée Fabre, founded by his dear friend François-Xavier whom he spent time with in Florence, owns thirty paintings and more drawings and this is how we are able to see these luminous canvases today in a very large retrospective of his works, the first ever “Louis Gauffier, The Voyage in Italy” (until September 7).Read More

Rifkin’s festival, Woody Allen is back with his old friends

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Woody is back in San Sebastian shooting with his old friend Wallace Shawn

You remember the time when Woody Allen had a new film out every year and it was a ritual (at least for me) to go and see it every time. Well,  there had not been a new Woody film since “A Rainy Day in New York” in 2019,  which featured Ellen Fanning and Jude Law, and I was totally excited to go to the first screening of “Rifkin’s Festival” last Wednesday. It is pure woodyallenian, with his old friends, playwright Wallace Shawn (My dinner with André) in the lead and screenwriter, director, actor,  Douglas McGrath playing a smaller part. Everything in the film seems so familiar that one feels like having dinner with the actors and chatting with them all night. The ravishing Spanish actress Elena Anaya,who played in Almodovar’s films, is the perfect seductress and one has a hard time believing she is a cardiologist…The whole film is set in San Sebastián which Woody loves and we enjoy the moments of tourism included in the script. Read More

A Léon Bonnat retrospective… at last!

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Inside the Sixtine Chapel, ca 1875-1880, Paris Musée d’Orsay

Léon Bonnat (1833-1922) is a forgotten painter who was a star in his lifetime, an official portraitist who trained many students when he was director of Ecole des Beaux Arts and helped all Basque artists to come to the capital. He was born in Bayonne, lived for seven years in his teens in Madrid, where he studied with José and Federico de Madrazo, and travelled to Italy at 25. He then settled in Paris and became a praised painter of historical and religious scenes. Many of the portraits exhibited here testify to his aristocratic and rich Jewish models, a clientele he largely developed in the late 1870’s and 1880’s. The show, curated by Sabine Cazenave and Benjamin Couilleaux, is the first since he died in 1922. It is definitely the event of the Côte Basque this summer.Read More

What’s new this week?

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Hugo Duminil-Copin with his Fields Medal in Helsinki, photo Bertrand Duplantier

The greatest national French news was certainly the award of the Fields Medal (the equivalent of the Nobel Prize for Mathematics) to French mathematician Hugo Duminil Copin (36), along with Ukrainian Marina Viazovska (37), American June Huh (39) and British James Maynard (35). The rule is that the laureate be under 40, and it is awarded every four years to up to four candidates. Interestingly the French and Ukrainian candidates (the second lady since 1936 when the first Prize was awarded) teach in Geneva (and Paris) and Lausanne. The South Korean American Huh teaches at Princeton while Maynard teaches at Oxford. The awards ceremony took place in a beautifully designed hall in Helsinki where the International Congress of Mathematicians was taking place instead of St Petersburg.Read More

Sally Gabori is a revelation at Fondation Cartier

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Thundi, Big River, 2010

It is completely fascinating to think that an aboriginal woman painter, who has hardly ever left two islands in the North of Australia, should become the center of attention at Fondation Cartier in Paris! Born on Bentick Island, in the gulf of Carpentaria, in 1924, Sally Gabori was forced in 1948 with 63 other inhabitants, to settle on Mornington island at a Presbyterian mission, after a cyclone and tidal wave flooded their 20 km by 12 km birth place. Soon the children were separated from their families, sent to school in English and forbidden to speak Kaiadilt, their tribe’s language. She remained one of the only elders to speak it and was only allowed to return for short stays to her native island. At 81, while living in a retirement home, she discovered paint at the Mornington Island Arts and Crafts Centre. Fondation Cartier  is showing thirty of her monumental paintings, until November 6, in the first exhibition of her works outside Australia.Read More